Post-
production

Wei­ther you want to give your big block­buster a place to feel like home or you’re on a tight bud­get, there’s always a solu­tion at Play­time with our two ful­ly equiped edit­ing rooms. 

Small but cosy, this space is our most pow­er­ful edit­ing stu­dio!
Here is what this room contains :

• MacPro 6.1 avec le dernier OS disponible.
• Avid Media Com­pos­er, Final Cut Pro X (et 7), Da Vin­ci Resolve, Adobe CC (Pre­mière, After Effects, Photoshop…).
• Sur­veil­lance 1080p à la fois sur la télévi­sion et sur le moni­teur SDI grâce à la lec­ture 4K de Black­mag­ic Ultrastudio. 
• Moni­teurs Adam A7X avec con­trôleur Monicon.
  

Slighlty big­ger and more sound-ori­ent­ed, inside Nos­tro­mo here’s what you’ll get : 

• Mac Pro 5.1 (3,33 Ghz) with the lat­est OS available. 
• Avid Media Com­pos­er, Final Cut Pro X (and 7), Da Vin­ci Resolve, Adobe CC (Pre­mière, After Effects, Photoshop…)
• Pro­tools through RME Mul­ti­face HDSPe host. 
• Dynau­dio Acoustics BM15A + Dynau­dio acoustics BM10S (sub­woofer)
• 1080p play­back through Black­mag­ic Deck­link HD extreme.
• HD Video projection. 

• Detours, by Christo­pher Yates (short movie, fiction)
• KIOSK, by Julien Bechara & François Decler­cq (cul­tur­al TV program)
• “Dev­il’s hand — Riv­er into Lake”, by Julien Bechara (Video clip)
• “Down­stairs — Riv­er into Lake”, by Julien Bechara (Video clip)
• Reve­ka, by Christo­pher Yates & Ben­jamin Colaux (fea­ture film, documentary)
• Mon­sieur Etri­mo, by Matthieu Frances & David Deroy (fea­ture film, documentary)
• Man­neken Swing, by Julien Bechara (fea­ture film, documentary)
• Phone Sto­ry, by Binevsa Berivan (short movie, fiction)
• Side­walk, by Binevsa Berivan (short movie, fiction)
• Qui finisce l’I­talia, by Gilles Coton (fea­ture film, documentary)
• Girls in Hawaii — Not here, by Christo­pher Yates (fea­ture film, documentary)
• Pub­lic Ene­my — Mak­ing of, by Julien Bechara (doc­u­men­tary video)
• Les naufragés, by Matthieu Frances (short movie, fiction)